ii-V-I (1 Chord Per Bar) - Carlos Ortiz IV
ii-V-I (1 Chord Per Bar) - Carlos Ortiz IV
Marcus McMillan Chord Progression Vamps (39)
Individual songs:
I-ii-iii-IV - Marcus McMillan
I7-ii7-iii7-IV7 - Marcus McMillan
I-iii-IV-V - Marcus McMillan
I7-iii7-IV7-V7 - Marcus McMillan
I7-iii7-IV7-V7alt - Marcus McMillan
I-vi-ii-V - Marcus McMillan
I7-vi7-ii7-V7 - Marcus McMillan
I7-VI7-ii7-V7 1 - Marcus McMillan
Idom7-VI7-ii7-V7 - Marcus McMillan
I7-VI7-II7-V7 1 - Marcus McMillan
Idom7-VI7-II7-V7 - Marcus McMillan
Ii7-V7 - Marcus McMillan
Ii7-V7alt - Marcus McMillan
Ii-V-I - Marcus McMillan
Ii7-V7-I7 - Marcus McMillan
Ii7-bII7-I7 - Marcus McMillan
Iim7b5-V7 - Marcus McMillan
Iim7b5-V7alt - Marcus McMillan
Ii7-V7alt-I7 - Marcus McMillan
Ii7b5-V7-i7 - Marcus McMillan
Ii7b5-V7alt-i7 - Marcus McMillan
Iii-vi-ii-V - Marcus McMillan
Iii7-vi7-ii7-V7 - Marcus McMillan
Iii7-VI7-ii7-V7 - Marcus McMillan
III7-VI7-II7-V7 - Marcus McMillan
IV-I - Marcus McMillan
IV-iv-I - Marcus McMillan
IV7-#IVdim7 - Marcus McMillan
V-I - Marcus McMillan
V7-I7 - Marcus McMillan
V7alt-I7 - Marcus McMillan
V-i - Marcus McMillan
V7-i7 - Marcus McMillan
V7alt-i7 - Marcus McMillan
FlatVII-IV-I - Marcus McMillan
IV7-I7 - Marcus McMillan
V7-I - Marcus McMillan
Minor Chord Triad Exercise - Marcus McMillan
Major Chord Triad Exercise - Marcus McMillan
Hi Marcus.
I already have all of these tonal vamps, but I was intrigued and unsure, in some instances, of the chord types, since you don't differentiate dom7 (7) from major 7 (which could be written ^7 , even M7, without going to the trouble of pasting ∆).
I understand the minor part (lower-case letter), but I would recommend - for *public* clarity (you can do on your machine as you think best) - to use more conventional signage.
Ex: IM7-VI7-ii7-V7 will be correctly interpreted, with no doubt, as (example) C∆-A7-Dm7-G7
Whereas I7-VI7-ii7-V7 gives me no clue as to whether the first degree is regular chord type or "dominantized", and same goes for VI, at that point...
However strange, I could legitimately think C∆-A∆-Dm7-G7...
Just suggesting, in order to have consistent forum submissions and song sharing.
Cheers.
Live freely. Respect the planet.
Chords in 12 keys:
Chords in 12 Keys (10)
1. Chords in 12 Keys - Aug 7 (7#5) - Exercise
2. Chords in 12 Keys - Dom 7 - Exercise
3. Chords in 12 Keys - Full Dim (Dim 7) - Exercise
4. Chords in 12 Keys - Half Dim (-7b5) - Exercise
5. Chords in 12 Keys - Maj 7 - Exercise
6. Chords in 12 Keys - Min 6 - Exercise
7. Chords in 12 Keys - Min 7 - Exercise
8. Chords in 12 Keys - Maj 6 - Exercise
9. Chords in 12 Keys - Sus 7 - Exercise
10. Chords in 12 Keys - Maj ii-V-I - Exercise
Chords in 12 Keys (11)
1. Chords in 12 Keys - Aug 7 (7#5) - Exercise
2. Chords in 12 Keys - Dom 7 - Exercise
3. Chords in 12 Keys - Full Dim (Dim 7) - Exercise
4. Chords in 12 Keys - Half Dim (-7b5) - Exercise
5. Chords in 12 Keys - Maj 7 - Exercise
6. Chords in 12 Keys - Min 6 - Exercise
7. Chords in 12 Keys - Min 7 - Exercise
8. Chords in 12 Keys - Maj 6 - Exercise
9. Chords in 12 Keys - Sus 7 - Exercise
10. Chords in 12 Keys - Maj ii-V-I - Exercise
11. Chords in 12 Keys - Circle Progression - Exercise
here is one chord changes that I've been practicing
Random Particularities by Damjan Krajacic
5/8 time signature.
Jazzercise-58 - Practice Charts
Cheers! Dave... MacBook Pro - OS X 10.10 - Mac iRp v 6.1 - iOS iRp v 6.1
Exercise ii-7 V7 - comfree
Exercise ii-7 V7 - comfree
Exercise ii-7 V7 in whole steps - comfree
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