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Thread: Jazz Practice Exercises

  1. #251
    Join Date
    Nov 2014
    Posts
    20

    Default C. Parker style Half Cadence and Secondary Dominant in All Keys


  2. #252
    Join Date
    Nov 2014
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    20

    Default Shifting Thirds Excercise


  3. #253
    Join Date
    Dec 2009
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    341

    Default Some more for beginning to intermediate bassists.

    These are backing tracks for Ed Fuqua's book, "Walking Bassics" (2007), including tracks for examples and exercises not on the accompanying CD.

    [REVISED 2014-12-3]

    Ed Fuqua (38)
    Last edited by nimbleswitch; 12-03-2014 at 07:11 AM. Reason: Purely cosmetic changes.

  4. #254
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    Dec 2009
    Posts
    341

    Default Still more for beginning to intermediate bassists.

    These are backing tracks for Jay Hungerford's book, "Walking Jazz Lines for Bass" (2002), including tracks for exercises and examples not on the accompanying CD.

    [2014-12-4]

    Jay Hungerford (59)
    Last edited by nimbleswitch; 12-04-2014 at 10:39 AM. Reason: Cosmetic changes only.

  5. #255
    Join Date
    Dec 2010
    Posts
    518

    Default

    Again ..Nice work Nimble
    I've been having a great time working these exercises.

    BTW I can't see what you did different to the Ed Fuqua book?

  6. #256
    Join Date
    Dec 2009
    Posts
    341

    Default

    I don't think I did anything much different to the charts for Ed Fuqua's book, Bob -- maybe a few cosmetic modifications. [EDIT: Yipes, I just discovered a typo where I had entered a minor-major chord instead of a major chord. I'll fix it now.] I had to re-post it because it had disappeared off the board for some reason. I musta hit the wrong button sometime. I've gotten something good out of each of the books. But the Hungerford book, based on patterns, seems to speak to me at my age and curcumstances. I don't have time left to really study the instrument, just enjoy it.

    Jack
    Last edited by nimbleswitch; 12-27-2014 at 10:55 PM.

  7. #257
    Join Date
    Aug 2014
    Posts
    1

    Default

    parece-me muito interessante, vou experimentar

  8. #258
    Join Date
    Dec 2009
    Posts
    341

    Default

    Yanny, regarding your Aebersold charts--check me on this, but it looks to me that when Jamey Aebersold writes the chord symbol C7+9 he doesn't mean just C7♯9, but rather C7♭9♯9♯4♯5, or perhaps C7♭9♯9♯5. (See his Scale Syllabus on p.ii, about half-way down the chart.) That's how I read it, anyway. I haven't found a way for iReal Pro to make that chord quality, but it will make C7 with any two of those altered extensions. (E.g., C7♯9♯11 or C7♯9♯5 or C7♭9♯9)
    Last edited by nimbleswitch; 11-26-2014 at 08:06 AM.

  9. #259

    Default

    While some prefer to try to specify a complex jazz voicing, many would simply write:

    C7alt

    http://en.m.wikipedia.org/wiki/Jazz_chord
    (see complex dominant chords near the bottom of the page)
    )BOB

  10. #260
    Join Date
    Dec 2009
    Posts
    341

    Default

    Bob, what exactly does iRP Playback when you enter a C7alt chiord? Do you happen to know? it appears that an altered 7th could mean a variety of sharped or flatted extensions. I tried to ask this question a month ago on the iOS thread, but no answer. I have played around with it a bit. To me, on Playback C7alt sounds more like C7♭9 ♯ 9 than anything else, but I don't have a great ear.
    Last edited by nimbleswitch; 12-03-2014 at 07:04 PM.

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