Yes Bob, I knew that.
But the problem is that some chords are placed at the end of the bar, and, even in S, they are difficult to read because of the vertical straight line. Even in your modified chart.
Regards.
Christian.
Yes Bob, I knew that.
But the problem is that some chords are placed at the end of the bar, and, even in S, they are difficult to read because of the vertical straight line. Even in your modified chart.
Regards.
Christian.
Even with the small font, extended qualities can overlap. The issue is, on a small phone-screen chords are difficult enough to read without also using the small font where it's not necessary.
Other options:
Double the length of some measures. That often creates other problems.
Le Blues Du Blanc -CM-3 2 - Pierre Papadiamandis
You can add text below an overlapped chord to show what's hidden.
Le Blues Du Blanc -CM-3 1 - Pierre Papadiamandis
)BOB
@Bob : I modified your "-CM-3 1" concerning the writing of the "b9" and "DS al coda".
Like this, the "DS al coda" is better seen, I think.
Thanks a lot, Bob.
Le Blues Du Blanc -CM-5 - Pierre Papadiamandis
Regards.
Christian.
Your modification does not play correctly in the player because you didn’t enter it in one of the spaces in the "jump from" measure. (Does not return to the Segno)
Player instructions ( DC, DS, Fine 3x...) are usually placed beneath the measure.
That avoids reader confusion.
)BOB
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