Jive Coffee - Peter Bernstein

Hello friends,

To my, Peter Bernstein is one of the greatest contemporary guitarist.
I love this 5/4 composition of him.
Enjoy!
Gabor

Try this in 5/4... Jive Coffee (Peter Bernstein)

Jive Coffee (gk) - Peter Bernstein

… Slight changes by my self…

Jive Coffee b - Peter Bernstein

Very nice, Thanks!

Quote:

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Originally Posted by Gabz

… Slight changes by my self…

Jive Coffee b - Peter Bernstein

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Your D.C. al Coda appears not to be operative.

(Edit 1/2/2015: be sure to read this instructional Blog about using the Coda)
http://irealpro.com/how-the-coda-sym...-in-ireal-pro/

The iRp player only plays the coda once at the end of the final time through.

The player needs TWO coda signs.

The first coda sign is placed on the last beat of the measure BEFORE where the coda is to start (the final time).
The first sign says: start coda here. (the final time)

The second coda sign is placed above the first beat of the first measure of the coda (song's ending). Usually at the bottom of the chart.
The second coda sign says: this is the ending, only play it once the final time.

:))BOB

I also notice that tunes don't always play the same sections in the same order when I use global repetitions. In other words, a tune set at 2x does not always just play the same sequence of sections that it plays at 1x, but twice through. That's one reason I avoid using global repetitions with tunes. I do use them a lot with practice tracks though.

"Jive Coffee b," here, plays the sections differently at 2x than it does at 1x — it doesn't just play the 1x version twice through.

See if this version meets your approval:

Jive Coffee b 1 - Peter Bernstein
:))BOB

Nice catch guys and thanks for the explanation Bob 8-)

Tunes in 5/4 always catch my ear, well worth a look see.. "Signs of Life" Peter Bernstein.

Thanks again Gabor, I understand why you love this guys work. 8-)

I think I need to restudy the intro thread about using the Editor. It seems clear that certain features, like Coda, are designed to operate differently on the "Final" (noted in the upper right corner) repeat than they do in earlier repeats. Do I have that right?

When I was fiddling around with the chart, it seemed that the DC al Coda would cause the player to play the coda at the end of the (long and complex) form each global repeat. By using just DC, the Coda would only play once a the end of the Final.

Some jazz forms use the coda every time through the form. Perhaps it's used as a short-cut way to condense a long AB form where much of both section is the same instead of using a 1st, 2nd and sometimes 3rd ending format.

From the Glossary:
http://www.irealb.com/forums/showthr...&p=282#post282
Coda
Ending bar(s) of a tune, although in jazz sometimes it is part of the form of the tune and you play the changes (chords) completely through the tune jumping to the coda each time for solos. Somewhere in the piece indicates when you jump to the coda.

:))BOB

Anyway, Gabz, thanks for posting this tune.

Hi friends,
Thanks to have been working all together on this song !
Thank you Bob, perfectly all right with your proposition of circulation, except for the last line.
I modified it for the player... plays it right.
Have a very nice day!

Gabor

Jive Coffee c - Peter Bernstein

Thank you that was very helpful.